I had a conversation with my agent a few weeks ago about portfolios, and how it was good to include pieces that show a narrative (like the flying pigs.) She said many times an editor will like a single piece, but will ask-- "what happens next?" Because, of course, they want to see if an artist can sustain a look and a character and tell a visual story.
Good to be reminded of this.
Right now I'm working on black and white pieces that could be suitable for early or young-adult chapter books. Remember this sketch from a while back? I always liked it and wanted to rework it into something more... so here goes...
(And here's a great post about what one particular editor likes to see in a portfolio.)
9 comments:
Very nice. It's a very unique look for b&w and it still reads as 'your' style.
Thanks for sharing this the tips!
I like this sketche a lot because you added round dots compare with the old sketched. I can hear the crack sound, make it more scary... ya?
Like the new tree, Jennifer. And thanks for the link to the post about portfolios. Most helpful!
Thanks, Gina! I was wondering about that.
Thanks Mayy-- a little scary is good, I hope!
And thanks, Tom. Glad you found the link helpful. I've seen a bunch of people linking to it around the blogosphere-- she's got some good points to think about.
lovely work and what a great tip on adding pieces to our portfolios...I feel like I have been away for ages....
Thanks so much for the links on portfolio advice. I've been an exhibitiing painter for a while but when it comes to illustration I feel like a beginner! I love trees and the shapes of this one is lovely! :)
Thanks, Diana! I hope you are doing well. :-)
And thanks, Jess! I'm sure your painting experience would be a great benefit with the illustration.
Beautiful tree Jennifer!!! I'm going to read the link now :o)
Thanks, Alicia!
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